CREATIVE ECLIPSE PR

Artist: Mad Vantage
Title: Minutiae.
Format: LP, CD, Digital
Label: Art As Catharsis
Genre: Progressive/ Jazz Metal
Release Date: 07/11/2025

Acclaimed composer and instrumentalist SOLUNE is set to release MINUTIAE., the debut full-length album from her genre-defying project Mad Vantage. A searing blend of progressive metal, nu-jazz, and electronic textures, the record positions SOLUNE as a formidable new voice in heavy music-bursting unapologetically into the scene with meticulous grooves, lush harmony, and fierce creative intent.

Fusing the rhythmic precision of jazz with the weight of distortion, double-kick pedals, and synthesizers, MINUTIAE. presents a sonic landscape shaped by years of artistic evolution. Recorded live in the studio with her band, the album thrives on real-time interplay-delivering polyrhythmic intensity without losing its human pulse.

“After numerous collaborative releases and a plethora of recorded work as a side person over the last 10 years, MINUTIAE. is the very first record I am putting out as a solo artist,” says SOLUNE. “I was hoping to make a big statement when I finally started my solo career, and I feel like this album exemplifies this. It says, “I’m here to make noise” and I hope that people will listen.”

Exploring themes of erosion and strength-both internal and external, MINUTIAE. reflects on personal and societal change in the age of digital transformation. It’s music of catharsis, self-definition, and defiant vulnerability.

“This record is a culmination of years of growth and learning“, says SOLUNE. “In an industry where misconceptions about women persist, I wanted to stay true to the integrity of my craft and bring together parts of my world I’m deeply passionate about: intricate and precise rhythms, feminism, distortion, bright pink fashion, and loud, groove-driven instrumental music.“

With comparisons drawn to Animals As Leaders, Plini, Hiromi, and Tigran Hamasyan, SOLUNE‘s voice remains unmistakably her own: razor-sharp, groove-forward, and emotionally charged. Mad Vantage‘s debut is a clear statement of intent, and is sure to be warmly received by fans of Australian contemporary jazz and heavy, progressive music.

Tracklist
1. Matriarch
2. Perpetual Cave
3. Terranea
4. Ictus
5. Pervade Your Mind
6. Cataclym Pt 1
7. Cataclym Pt 2
8. Cataclym Pt 3

Links  
Bandcamp: https://madvantage.bandcamp.com
Instagram: https://instagram.com/solune_madvantage
Facebook: https://facebook.com/soluneartist
Art As Catharsis: http://www.artascatharsis.com

Download press assets here

Artist: The Birch
Title: Vicious Minds
Format: LP, Digital
Label: Tonzonen Records
Distribution: Cargo
Genre: Psychedelic Rock
Release Date: 21/11/2025

Vigorous, that’s how The Birch can be described best. Driving riffs, punchy rhythms and all suited in psychedelic sonority, they create an atmosphere of pure ecstasy. With their sound, the three musicians from Quedlinburg, Germany send their crowd on a spiritual journey of long lost centuries, though never indulge but face themselves the current spirit of time.

New album Vicious Mind is a dive into modern psych rock. With its seven tracks, it offers a rather dark side of the bands music on side A, which dissolves in the softer, more rocknroll side B. With a trip abroad, The Birch found themselves recording their second studio album in Miami Beach, giving them a new twist from their impressions collected in the land of the free.Twangy guitars and a rhythm section going straight forward takes the listener to psychedelic soundscapes while being kept alive by an ongoing beat, following you through the 30 minutes of Vicious Mind. 

Pablo Manresa’s key playing builds a constant carpet of warm Hammond organ or Ragtime Piano. Most significant is the string arrangement in Downpour, which creates a new facet of the Band’s sound.

The Birch knows how to develop. Not only is this album a new milestone for the band’s discography, it’s an example how to give it a retro feel without being retro. New album Vicious Mind fits our time, it’s not a look back.

Tracklist
1. Vicious Mind
2. ‘Till you’re gone
3. Little Treat
4. Trinity
5. Downpour
6. Roll’n’Rock
7. Free Your Head 

Links
Linktree: https://linktr.ee/thebirch
Bandcamp: https://theblackcatseye.bandcamp.com
Instagram: https://instagram.com/thebirchband
Facebook: https://facebook.com/people/The-Birch/61551843947731/
Label: https://tonzonen.de

Download press assets here

Artist: The Black Cat’s Eye
Title: Decrypting Dreams Of Weird Animals And Strange Objects
Format: LP, CD, Digital
Label: Tonzonen Records
Distribution: Cargo
Genre: Psychedelic Rock
Release Date: 31/10/2025

The Black Cat’s Eye: Second Album Explores Cinematic Soundscapes. 

With their debut The Empty Space Between A Seamount And Shock Headed Julia, The Black Cat’s Eye made a notable impact on the scene in 2023 – an energetic and atmospheric album that uniquely fused psychedelic and post-rock elements and quickly sold out. Now, two and a half years later, the Frankfurt-based quintet returns with their new album, Decrypting Dreams Of Weird Animals And Strange Objects.

Once again, the band navigates the borderlands between psychedelic rock, krautrock, and post-rock. Their sound oscillates between hypnotic drive, dreamy guitar textures, and dynamic arcs of tension. The album consists of six tracks, each a sonic journey lasting between five and ten minutes. A notable development is that two band members contributed to the songwriting: Alongside guitarist and band founder Christian Blaser, bassist Jens Cappel wrote half of the material. His powerful, direct style perfectly complements Blaser’s atmospheric approach. Blaser comments: “On the debut, I wrote all the songs. As the founder of the band, my initial focus was on setting a musical vision and direction. Jens wasn’t yet as involved in the creative process at that point, even though he’s an extraordinarily talented and prolific musician. He regularly releases excellent music on the Bandcamp pages of his own projects, like The Black Black Paint. When it came time to write new material for the second album, Jens brought in some truly fantastic demos.” Stylistically, the new album – like its predecessor – blends classic ’70s influences with contemporary rock. Echoes of Can, Motorpsycho, Neu!, indie and stoner rock can be heard, along with nods to David Gilmour’s guitar aesthetic. The music is instrumental, with one exception: Jens Cappel provides vocals on the final track, The Magic Ballon.

The album’s title – Decrypting Dreams Of Weird Animals And Strange Objects – is as enigmatic as that of their first record. Blaser explains: “The title was inspired by a fascinating concept from the American TV series Westworld. In the series, humanoid robots are programmed with feelings and dreams. But as they become more human, they spin out of control – so the programmers begin analyzing the source code they wrote, searching for errors in artificial thoughts, feelings, and dreams using computer programs. Translated into our reality, the title is meant to be ironic. Our modern technology gives us the illusion that we can fully control every aspect of life. Self- optimization and the commodification of the self become the highest goals. But it’s a false illusion – we are only tiny fragments of a greater whole that we can’t comprehend. Against this backdrop, the question arises: What can art contribute to our perception of the world? What meaning lies in expressing oneself through music? Through technology, mathematics, physics, and pure reason, we don’t truly get closer to the miracle of life or the meaning of existence. What remains are rituals, incantations, ecstasy. Music, dance, painting, stories – they momentarily reveal the core of life, realign our connection to it, and link us to the universe.“

The album was once again recorded at Tonstudio Bieber in Offenbach am Main. Studio owner and fellow musician Oli Rüger – who has years of experience recording guitar-based bands – handled the recording. The basic tracks were recorded live with the full band over three days, then later enriched with overdubs. Rüger also co-produced the album. Cappel notes: “Oli has a knack for striking the perfect balance between raw, heavy, and delicate sounds, without ever losing sight of the bigger picture.” Final mastering was done by krautrock legend Eroc – a fitting choice for a band that not only sees itself as part of the ’70s legacy but actively seeks to carry that tradition into the present.

The monochrome cover art underlines the music’s dark atmosphere. It reflects the band’s conceptual approach to treating music not just as sound, but as space, concept, and visionary narrative. The cover image – a seemingly endless spiral symbolizing DNA structures and eternity – was designed by Italian graphic artist Daniele Stochino. The gatefold’s inner artwork combines this motif with an illustration by Berlin-based graphic designer and musician Max Emil Hurlebaus, using vibrant colors to create bold contrasts and new visual perspectives.

Tracklist
1. Hell Bent For Sæther   
2. The Walls Of Crystal Keep   
3. Unicorn   
4. Sternenfels Space Gate   
5. Everywhere I Rest My Head The Ground Is Shifting   
6. The Magic Balloon

Links
Official: https://theblackcatseye.com
Linktree: https://linktr.ee/theblackcatseye
Bandcamp: https://theblackcatseye.bandcamp.com
Instagram: https://instagram.com/theblackcatseye
Facebook: https://facebook.com/theblackcatseye
Label: https://tonzonen.de

Download press assets here

Artist: Electric Litany
Title: Desires
Format: LP, Digital
Label: Flying Hearts
Distribution: Muting The Noise
Genre: Post-Rock/ Synthpop/ Electronica
Release Date: 17/10/2025

Electric Litany made their entrance into the music scene in 2010 with their debut album, How to Be a Child and Win the War. The release garnered widespread acclaim, leading to a European tour, including a support slot for Interpol soon after.

The band’s rise to prominence was further solidified when they graced the main stage at Rockwave Festival in Athens, sharing the bill with iconic acts such as Prodigy and Black Rebel Motorcycle Club. Their electrifying performance left an indelible impression on festivalgoers and established Electric Litany as an unmissable live act.

Their second album, Enduring Days You Will Overcome, was co-produced by legendary producer Alan Parsons, who declared them “the next Radiohead.” In 2019, they released their fourth album, Under a Common Sky, which also received international acclaim.

Their forthcoming album, Desires, captures the raw energy and emotional depth that have made Electric Litany a revered force in alternative music. Set to be released under Flying Hearts, this album represents not just a creative evolution but a labor of love—crafted with an uncompromising dedication to artistic integrity.

Desires is the culmination of over fifteen years of exploration. Emerging at a time when the line between truth and illusion is increasingly blurred, it finds the band questioning the value of authenticity. With artificial yet strikingly beautiful artwork that echoes the concepts at the heart of their latest work, it finds Electric Litany asking: “if reality is a construct, does it even matter what’s real?”

Sonically, Desires finds Electric Litany pushing themselves into more experimental territory than ever before. Tracks like Itor exist in a haze of distortion, while Reciprocate is a deliberately oversaturated dream-pop anthem that still holds its form. In contrast, moments of respite come in the form of Prism, where a hands-off simplicity allows the musicians to take centre stage. Richard Simic’s intricate drumming expands the rhythmic landscape with dynamic intensity, while Jason Tsontilis’s synth work elevates the band’s sonic textures into more atmospheric and experimental realms. Alexandros Miaris brings his distinct vocals, shoegaze byzantine guitars, and piano to Desires, adding emotional depth to the album. His multi-instrumentalism and introspective lyrics create a personal touch, blending seamlessly with the experimental textures of the band.

Across the record, Desires finds the band remaining true to their artistic traditions. By performing their ideas out as live impromptu recordings, trying and testing their raw, improvised components, and fusing them to etchings of pre-written ideas; the end results are palpably organic in feel and alive with the untameable energy so definitive of Electric Litany’s work.

With the entire record recorded at Fish Factory Studios, London, additional recordings were laid down at Caledonian Road Studios, London and Dada Studios and Byron Studios, Athens. The album features production, engineering and mixing from George Botis, plus additional mixing from Alexandros Miaris.

Tracklist
01. Falcon   
02. Opia   
03. Reciprocate   
04. Diamonds   
05. Prism   
06. Itor   
07. For Another   
08. Crumpets   
09. Junkie 
10. Bless

Links  
Official: https://electriclitany.com 
Instagram: https://instagram.com/electric_litany
Facebook: https://facebook.com/ElectricLitany

Download press assets here

Artist: SEIMS
Title: V
Format: LP, CD, Digital
Label: Bird’s Robe Records/ dunk!records
Distribution: MGM
Genre: Cinematic Experimental Rock
Release Date: 10/10/2025

The brainchild of multi-instrumentalist Simeon Bartholomew, SEIMS has evolved into an explorational and formidable band over the course of several records, including their most recent release Four which saw them pick up a sizeable underground audience and launched them on tours around the world, including performances at ArcTanGent (UK), Dunk! Festival (Belgium) and supports for And So I Watch You From Afar (Northern Ireland), sleepmakeswaves (Australia) & Delta Sleep (UK).

The new record V expanded on themes explored on Four with exquisitely crafted arrangements of tracks ranging from complex odd-meter timing to standard rhythmic feels. Preoccupations picks up where Showdown Without A Victim left off, evoking 65daysofstatic’s Wild Light era mixed with Stranger Things. Chaos Within A Construct continues a similar vein, infused with the relentless energy of contemporaries like And So I Watch You From Afar, but blended with the clean tones and beguiling precision of a mid-west emo math rock band (or Delta Sleep, if you’re more that way inclined). But then you have tracks like the Rush-meets-Oasis-with-a-hint-of-Mobymelodic pop-prog of Forever The Optimist which maintains SEIMS unique ability to straddle parallel universes. It’s the perfection of the experimental side that is most appealing with SEIMS. These are sonic explorations, but conducted with compositional mastery by monster players and performers. 

The album was written & produced by Simeon Bartholomew himself, engineered by Tim Carr (We Lost The Sea), mixed by Alex Wilson (sleepmakeswaves) & mastered by Jeff Lipton and Maria Rice at Peerless Mastering, Boston. As well as Simeon performing bass, guitars, synths, piano & vocals himself, it also features blistering performances from Plini drummer Chris Allison, Sam Sheumack (Fangz) on slide guitar, Mark Owen (We Lost The Sea) on guitar, Nataliya Lukich on violins, Monique Turner on violas, Tangents/FourPlay member Peter Hollo on cellos, Tom Botting (Scoredatura) on double basses, Paul Murchison on trumpet & flugelhorn & Luke Bartley on tuba and sousaphone.

For the release of V SEIMS have again partnered with Australian label Bird’s Robe and European vinyl label dunk!records.

Tracklist
1. Double Standards
2. Chaos Within A Construct             
3. Forever The Optimist    
4. Flowing Upstream          
5. Preoccupations                
6. Abandonment Is Expected           
7. My Memories Retain Nothing     
8. Ends Tether
9. A Moment Never Returned          

Links
Official: https://seims.net
Bandcamp: https://seims.bandcamp.com
Instagram: https://instagram.com/SEIMSmusic
Facebook: https://facebook.com/seimsmusic
YouTube: https://youtube.com/@SEIMSmusic
Label: https://birdsrobe.com     

Download press assets here

Artist: Vibravoid
Title: Remove The Ties
Format: LP, Digital
Label: Tonzonen Records
Distribution: Cargo
Genre: Neo Psychedelic Rock
Release Date: 26/09/2025

After the album We Cannot Awake (2024), which was highly praised by press and fans, Vibravoid manage to top this masterpiece in their 35th year of existence. Although the band has for years steered clear of the terms they themselves popularized and which have become inflationary today, such as Psychedelic and Kraut Rock, Remove The Ties is probably the best Neo Psychedelic album of the last 25 years.

With ease and free of any signs of wear and tear, the Düsseldorf band has succeeded in creating a album that, between short pop songs and psychedelic escapades, shows that real neo Kraut Rock is not just the same old copy of Düsseldorf’s Motorik sound.

“Computer Dreams” leads the listener straight onto the wrong track – anyone who suspects this song to be a mere copy of Kraftwerk will soon be proven wrong. It is the sound of Vibravoid genetics and proves that this kind of music can only come from Düsseldorf.

“Neustart” delivers the typical Vibravoid sound; driving and rhythmic but still catchy and psychedelic like an LSD trip. The essence of the “New Düsseldorf Sound” immerses every large discotheque in a sonic stroboscope of colors from another dimension.

“The Power Of Dreams” comes from the depths of the Vibravoid universe. Pure psychedelic pop with hit potential as it was otherwise only made in the 1960s, is combined with epic melodies and imaginative effects. Everything is just right here.

“Follow Me Follow You” exudes the spirit of the Düsseldorf school even more strongly. Between experimental structures and poppy sounds, Vibravoid create a maelstrom that robs you of your senses, sending the listener on a journey into the inner cosmos.

“Increasing The Pain” is another demonstration of what psychedelic rock should sound like in the year 2025. These sounds seem to emerge directly from the band’s subconscious and so the arrangement is unique. The song’s grand finale can easily be prescribed as teaching material for any psych rock student.

With “A State Of Mind”, Vibravoid already indicate in the title that the acidic journey will be even more intense. Cannaboid fuzz effects and vocal lines that drill straight into the brain raise the bar for modern psychedelic rock to a new level. Everything sounds like the 1960s never ended and Timothy Leary is still President of the United States of Existence.

The title track “Remove The Ties” not only closes a phenomenal album but also the circle. We must remove the ties in order to free our minds. This song is a manifesto in its entirety. A repitative riff creates a meditative hypnosis that merges time and space into an unreal fever dream, transforming the cosmos into a transcendental cathedral of psychoactive sounds. The new Düsseldorf sound has never been as effective as it is here.

Remove The Ties is not only a new masterpiece from an extraordinary band, this album sets new standards for modern psychedelic rock and cements Vibravoid as the most important and influential representatives of their generation. This will probably only be recognized – similar to their debut album “2001” – after 25 years.

Tracklist
1. Computer Dreams   
2. Neustart   
3. The Power Of Dreams   
4. Follow Me Follow You   
5. Your Revolution Is Dead   
6. Increasing The Pain   
7. A State Of Mind   
8. Remove The Ties

Links
Instagram: https://instagram.com/vibravoid_official
Facebook: https://facebook.com/vibravoidofficial
YouTube: https://youtube.com/@VibravoidOfficial
Spotify: https://open.spotify.com/artist/5qXFseejEDd3JvZqap38os?si=p80o7SP4ReKjHnvYIl9YPw
Label: https://tonzonen.de

Download press assets here

Artist: Les Dunes
Title: From Etne To The Edge Of Space
Format: LP, CD, Digital
Label: Kapitän Platte
Distribution: Distribution: D/ AT: Cargo Records, Norway: Tiger Records, Benelux: Sonic Rendezvous, FR: Differ-Ant, CH: Irascible, IT: Goodfellas
Genre: Instrumental/ Post-Rock
Release Date: 05/09/2025

Les Dunes is an instrumental post-rock trio from Haugesund, Norway. Consisting of members from bands like The Low Frequency In Stereo, Undergrünnen, Lumen Drones, Helldorado and Action & Tension & Space.

The band consists of Per Andreas Haftorsen on guitar, Morten Jackman on drums and Per Steinar Lie on bass.

The result reminds of the fantastic slow-core era bands of the 90ies, like Codeine who create their own version of Explosions In The Sky songs or like Per Steinar Lie claims “it feels like the vibe of the early days of The Low Frequency In Stereo“. 

The music is rooted in a thought of a long freeway drive at night where time stops and the mind flows. 

In 2023 Les Dunes released its self-titled debut album on german Label Kapitän Platte. On September, 5th the second album From Etne To The Edge Of Space will be released with seven new songs: Sharp, cinematic, unstoppable.

Tracklist
1. Pax
2. Lost Signals From Utsira
3. AGF
4. Den Hopsack
5. Koens Theme
6. Vangen
7. From Etne To The Edge Of Space

Links
Bandcamp: https://lesdunes.bandcamp.com
Instagram: https://instagram.com/les_dunes_band
Facebook: https://facebook.com/Lesdunesband
Label: https://kapitaen-platte.de

Download press assets here

Artist: Hence Confetti
Title: Duress
Format: CD, Digital
Label: Bird’s Robe Records
Distribution: MGM
Genre: Alternative Metal
Release Date: 05/09/2025

Australian alternative metal project Hence Confetti have announced their second record Duress through Bird’s Robe Records.

Formed by former Mish frontman Rowland Hines, the project began as an outlet for Hines to express his post-Mish and post-fatherhood emotions, as he relocated from Sydney to his hometown of Bathurst, before settling in Warnervale, NSW.

Fans of the legendary underground metal records produced by Mish will recognise Hines’ impassioned vocal delivery, as well as the brooding undertones that often accompanied their music. But Hence Confetti paints a broader palette and uses different colours to communicate.

The band says: “Duress focuses on strengthening resilience through introspection. With an emphasis on embracing change for personal growth, for the benefit of family and future generations. A foreboding warning of a need for adaptability in a fast changing world while examining the dystopian consequences of unchecked technological advancement. Together we risk a loss of humanity in a cybernetic apocalypse.“

The single Duress might be as heavy as it gets, but there’s a lot to explore in the dynamic sound of this new project.

Citing influences from classic bands like Botch, The Devin Townsend Project, Today Is The Day, Puscifer, Lo!, Mastodon, COG and Conjurer, the band wear their love for emotional heavy music proudly on their sleeve.

Tracklist
1. Duress 
2. Promise 
3. Shang Tsung
4. The Road Is Thinning
5. Void
6. Onslaught

Links
Bandcamp: https://henceconfetti.bandcamp.com
Instagram: https://instagram.com/henceconfetti
Facebook: https://facebook.com/HenceConfettitheband
Label: https://birdsrobe.com

Download press assets here

Artist: Bingo Crowd
Title: Manners
Format: LP, CD, Digital 
Label: Crispin Glover Records
Distribution: Stickman Records
Genre: Synth Rock
Release Date: 12/09/2025

The first thing to know about Bingo Crowd is that this is a band who do things intheir own time. Which doesn’t always correspond to the Julian calendar tha tmost of us rely on for our perspectives, and which tells us it’s been 17 years since their debut album Sinecure came out. Let’s just call the decision-making process within Bingo Crowd “deliberate” and leave it at that – this is a band that, having abandoned their original moniker Bitch Cassidy, but retaining an affection for the initials B.C., spent several years – years! – deciding on a new name.

Suffice it to say, Bingo Crowd is not like most bands. “The overall sound reminded me of the early Mute/Factory Records records that I loved and grew up on,” says Moulder of his decision to get involved, despite the constant demands made on his time by acts like Nine Inch Nails, Interpol and Queens of the Stone Age. “But,” he adds, “they added their own thing that made it current and I like that.”

“Current” does a lot of work in this particular sentence, given Bingo Crowd’s reluctance to engage with conventional notions of chronological time. The references to Mute and Factory might also induce chuckles within the band itself, as they were blissfully ignorant of the Manchester scene until well into adulthood, if not middle age.

The three men that make up Bingo Crowd = Andreas Elvenes, Svein Segtnan & Eivind Brønstad, grew up deep in the woods of Snåsa, a small community in one of the most sparsely populated areas of Norway, where the local economy inevitably centers on logging and forestry. Growing up in the pre digital age, popular music mainly found its way here through mix-tape cassettes played at the local railroad café – and the Mute/ Factory Records phenomenon Moulder refers to, never made it this far off the beaten path.

Instead, what we now know as Bingo Crowd began life as a hard and heavy Norwegian Metal trio built on massive guitar riffs, which is what rock music meant in Snåsa back then. All well and good, until guitarist Svein Segtnan happened to hear a piece of electronic music by Brian Eno, and grew intrigued enough to acquire a analog synthesizer. Entirely unfamiliar with the synth-centric pop music of the 1980s, Bingo Crowd proceeded to create a parallell musical universe of their own. Marching to their own beat, they eventually recorded a single, which became the very first release on Crispin Glover Records back in 2006. (After an inevitable delay, partly due to their inability to decide on a name, thus settling into a career-defining pattern.) (Also worth noting is the fact that Crispin Glover Records was started in order to put out music by Bingo Crowd. In other words, this is rather personal to us.)

The band themselves have on occasion described their music as “depressive disco”, which seems rather insufficient and flippant to our ears. The songs on Manners invoke a far more nuanced and splendiferous range of emotions, although a baseline of vague anxiety seems ever present. A promotor in Iceland once called it “Nügoth”, and certainly Bingo Crowd should sound appropriate in any setting that’s familiar with umlauts. Or, as Moulder puts it, “There is a darkness to the music that drew me in.” (Moulder, noted for his decades-long contributions to Trent Reznor’s catalogue, knows a thing or two about darkness.)

Tempting as it is to employ fancy academic and philosophical concepts in foreign languages – “Sui generis”, “Ding an sich” and such – in an attempt to convey the rich, moody mysteries of Manners, it probably doesn’t make more sense than trying to figure out the equally mysterious decision- making process behind some of the song titles herein. (We’ll let you figure out what “Litjtaltj” might mean on your own. Go ahead – we dare you.)

Regardless, somewhere within the Bingo Crowd head/space continuum, time and decisions have yielded exquisitely crafted music, as deliberate as it is surprising. Tension builds and is released, majestic choruses erupt – seemingly out of nowhere – while hypnotic loops abound, and intricate melodies soar and swirl before your ears and eyes. And it all seems to unfold with what the band itself refers to as “the logic of dreams”. Which is as logical and predictable as Bingo Crowd is ever going to get.

Tracklist
01. Observatory   
02. Voloop   
03. Priority Mail   
04. Nitro My Shield   
05. Mapmaker’s Dream   
06. Litljtatlj   
07. Nature Guy   
08. Weekend House   
09. Pyramide   
10. Portamento Mori

Links
Bandcamp: https://bingocrowd.bandcamp.com
Instagram: https://www.instagram.com/bingo.crowd
Facebook: https://www.facebook.com/p/Bingo-Crowd-61559649422788/
Label: https://www.cgrshop.no

Download press assets here

Artist: We Lost The Sea
Title: A Single Flower
Format: 2xLP, CD, Digital
Label: Bird’s Robe Records/ dunk!records/ Translation Loss Records/ New Noise
Distribution: MGM
Genre: Post-Rock
Release Date: 04/07/2025 and 22/08/2025 (LP international)

Australian post-rock legends We Lost The Sea return with their new album  A Single Flower, a suspenseful masterpiece that will leave you on the edge of your seat for its whole chilling progression.

A Single Flower follows six years after their fourth album Triumph & Disaster  (2019) which was released just ahead of the pandemic and seemed to foreshadow the era of intensity which followed. It reached the Top 50 charts in Australia upon its released, and the band’s eventual tour in support of the record saw them sell out shows across Europe, the UK, Australia & Asia.

About the new album the band has to say: “The world lay wrecked before us, a quiet ruin of things lost and things that never were. The mornings came like the grinding of old gears, a slow turning toward some unknowable purpose. And yet, in the stillness of despair, the nameless rose. Not for hope, nor for meaning, but because something in the marrow of our bones whispered that to rise was the only rebellion left.“

The band’s breakout record was their critically-acclaimed 2015 album Departure Songs (2015) which featured the standout track A Gallant Gentleman (featured in the Ricky Gervais series ‘Afterlife’). Departure Songs has amassed millions of streams worldwide and sold over 10,000 copies in physical formats.

New album A Single Flower is out July 4th through Bird’s Robe Records, dunk!records, Translation Loss Records & New Noise.

Tracklist
1. If They Had Hearts
2. A Dance with Death
3. Everything Here Is Black and Blinding
4. Bloom (Murmurations at First Light)
5. The Gloaming
6. Blood Will Have Blood

Links
Official: https://welostthesea.com
Bandcamp: https://welostthesea.bandcamp.com
Instagram: https://instagram.com/welostthesea
Facebook: https://facebook.com/welostthesea  
Label: https://birdsrobe.com     

Download press assets here